About My work

Born in Paris, I am a French Sculptor living in the West Berkshire ( UK).

My work has been presented at a number of prestigious venues and international art fairs. Highlights include exhibiting alongside thirty of the UK’s leading sculptors at Sculpture by the Lakes, as well as having two works — The Gold Walking Cheetah and Small Sitting Cheetah — selected for exhibition by the Salon des Artistes Français in Paris.

My sculptures have also been shown internationally at the Affordable Art Fair in London, New York, and Hong Kong, introducing my work to collectors and audiences across Europe, the United States, and Asia.

I work in clay first or plasteline , feeling for the underlying lines, shapes and geometry of each subject .. From these early explorations, forms gradually resolve through initial work in resin and finally into bronze, in most cases, each stage revealing something the previous one could not yet say..

The collections:

Horses and Riders — collection introduction

As a rider myself, the horses have been at the heart of my practice longer than any other subject —This collection represents the most developed body of my work — bronzes that have been through many years of exploration and resolution.

In this collection , I am finding the attitudes and presence of the horse and connection with the human, , the power within simplicity. The riders who appear in some works are not portraits but presences, abstracted figures. Human and animal are aligned in balance and trust, facing the same horizon.

Essence of the Wild — collection introduction

This collection is newer and is more geometry led. Each animal presents a new challenge. The cheetah holds poise , The lion carries authority in every plane.

Bulls and Bears — collection introduction

The bull and the bear share something the other animals do not — a quality of concentrated force of energy and strength.

These are among the most geometrically resolved works in my practice — strong planes, deliberate angles, forms that carry weight in every surface.

Inspired by Birds — collection introduction

Birds present the opposite challenge to the horses and big cats — not mass and power but lightness, air, the geometry of flight.

This is the newest direction in my practice, and these works are the most recent test of my sculptural language. How do you make something that feels weightless out of bronze? How do you distil the essential presence of a creature defined by its relationship with air?

These works are early in their journey — resin forms finding their way toward bronze, a body of work still developing its full voice.

Independent Studies — collection introduction

Some works exist outside the main collections — not because they are lesser, but because they follow their own logic.. the cats, the singular forms that don't belong to a series — these pieces share the same sculptural approach as everything else the same geometric reduction and search for essential presence. They simply arrived independently, following their own path rather than a collection's narrative.

All the collections exist in dialogue.

They are parallel explorations rather than sequential phases. Developments in one body of work continually feed the other, in shape, presence, and the refinement of abstraction.

Each Collections are a reciprocal evolution. they aren’t stepping stones;

they’re conversations..